A critical reflection on the documentary, which depicts two women, one from Iran and one from Romania, separated by political revolutions, finding connection through letters, portrays the hopes lost between revolutions in Iran and Romania. The documentary silences histories that shape revolutions, and its lack of historical contextualization exposes its Islamophobia and imperialist trope. Its misuse of archival footage mixed with poetry is a visual expression of anti-Muslim bias and historical ignorance.